Elida Tessler's 'Arquivos' Explores Decolonial Turn in Brazilian Art Through Material Words

Elida Tessler's project 'Arquivos Élida Tessler' examines the decolonial shift in Brazilian art through material language. The work positions words within the physical realm of objects, creating a dialogue between text and materiality. This exploration contributes to ongoing discussions about decolonization in Brazil's artistic landscape. Tessler's approach considers how language functions when embedded in tangible forms rather than abstract concepts. The project appears to be documented or discussed on the Arte Brasileiros platform, which focuses on Brazilian art discourse. By engaging with words as physical entities, the work challenges conventional boundaries between linguistic and material expression. This investigation into decolonial perspectives through artistic practice adds to critical conversations about Brazil's cultural identity and artistic methodologies. The project's emphasis on materiality offers a distinctive lens for examining decolonial theory within contemporary Brazilian art contexts.