Eleanor Antin Retrospective at MUDAM Luxembourg Surveys Five Decades of Feminist Conceptual Art
Eleanor Antin: A Retrospective is currently on display at MUDAM in Luxembourg, marking the first significant European overview of the artist's extensive five-decade journey, which will be open until 8 February 2025. The exhibition showcases Antin's diverse artistic approach, presenting notable pieces such as CARVING: A Traditional Sculpture (1972) and CARVING: 45 Years Later (2017). It delves into her alter egos, especially The King, and highlights themes related to female bodies and lesser-known women artists from her 1970s New York network, including Carolee Schneeman and Kathy Acker. Additionally, her 100 Boots series, which premiered at MoMA in 1975, is included in the Road Movie section. This retrospective follows her solo exhibitions at various venues and emphasizes her influence on art market conventions.
Key facts
- Eleanor Antin: A Retrospective is at MUDAM, Luxembourg until 8 February 2025
- This is the first major European survey of Antin's five-decade career
- The exhibition includes CARVING: A Traditional Sculpture from 1972 and its 2017 recreation CARVING: 45 Years Later
- Antin's 100 Boots series debuted at MoMA in New York in 1975
- The show features alter egos like The King, explored in The King of Solana Beach (1974–1975)
- Sections include Classification, Admiration, and Power, highlighting feminist themes
- Antin's work aligns with artists such as Cindy Sherman and Marina Abramović
- Previous solo shows include ICA Boston, Arnolfini Bristol, Los Angeles County Museum of Art, and the 37th Venice Biennial
Entities
Artists
- Eleanor Antin
- Cindy Sherman
- Marina Abramović
- Carolee Schneeman
- Kathy Acker
- Martha Rosler
- John Berger
Institutions
- MUDAM
- ICA Boston
- Arnolfini
- Los Angeles County Museum of Art
- Venice Biennial
- MoMA
- Frieze
- Aesthetica Magazine
Locations
- Luxembourg
- Boston
- United States
- Bristol
- United Kingdom
- Los Angeles
- New York
- Venice
- Italy
- Solana Beach