Eduardo Paolozzi Returns to Venice with Alma Zevi Gallery Show
Eduardo Paolozzi (1924-2005), the Scottish-Italian pioneer of British Pop Art, is the subject of a major solo exhibition at Alma Zevi gallery in Venice, running until December 20, 2018. Paolozzi first visited Venice in 1960 to represent Great Britain at the Venice Biennale. Nearly six decades later, his work returns to the lagoon city. The exhibition is the result of extensive archival research in Italy and abroad, offering a rare chance to rediscover his early revolutionary output, still under-recognized especially in Italy. Highlights include two rare collages from the 1940s and 1950s, prints from the portfolio General Dynamic F.U.N. (1965-70), etchings from The Ravel Suite (1974), and the experimental film The History of Nothing (1962), presented in full courtesy of The Paolozzi Foundation and the British Film Institute.
Key facts
- Eduardo Paolozzi was a Scottish-Italian artist and pioneer of British Pop Art.
- He first visited Venice in 1960 to represent Great Britain at the Venice Biennale.
- His work returns to Venice in a solo exhibition at Alma Zevi gallery.
- The exhibition runs until December 20, 2018.
- It is based on research in archives, libraries, and private collections in Italy and abroad.
- The show includes two rare collages from the 1940s and 1950s.
- Prints from General Dynamic F.U.N. (1965-70) are featured.
- The experimental film The History of Nothing (1962) is shown in full.
Entities
Artists
- Eduardo Paolozzi
Institutions
- Alma Zevi
- The Paolozzi Foundation
- British Film Institute
Locations
- Venice
- Italy
- Great Britain