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Edgar Morin on Art, Shamanism, and the Creative Trance

publication · 2026-05-31

In the December 2020 issue of Beaux Arts Magazine, French philosopher Edgar Morin explores the relationship between art and creativity, drawing connections to shamanism and referencing the ancient Lascaux cave paintings. He recounts personal aesthetic moments, such as a profound experience with Degas's 'Little Dancer of Fourteen Years' and the influence of Beethoven's Ninth Symphony. While he expresses admiration for Hans Hartung and Pierre Soulages, he finds his involvement with contemporary art to be uneven. Morin regards Surrealism as the paramount movement of the 20th century and criticizes globalization for fostering cultural hegemony and hypernationalism. He calls for cultural democratization in France and expresses concern over the commercialization of art. Morin describes art as human-created objects that elicit emotions, asserting that beauty is intrinsic to the artwork. The interview was conducted by Natacha Carron-Vullierme and Fabrice Bousteau.

Key facts

  • Edgar Morin is a French philosopher and sociologist known for complexity theory.
  • The interview was published in Beaux Arts Magazine n°438 in December 2020.
  • Morin argues that creativity is a state of trance rooted in shamanism.
  • He cites Lascaux cave paintings as an example of shaman-artists achieving precision in darkness.
  • Morin had a quasi-mystical experience with Degas's 'Little Dancer of Fourteen Years' at age 13–14.
  • He was impressed by the abstract works of Hans Hartung and Pierre Soulages.
  • Morin considers Surrealism the most important movement of the 20th century.
  • He critiques globalization for techno-economic dominance and cultural fragmentation.
  • Morin calls cinema a 'total art' and highlights global cinema's diversity.
  • He notes the failure of cultural democratization in France due to class inequality.
  • Morin laments the commodification of art where market value overshadows aesthetic value.
  • He identifies adolescence and old age as peak creative periods free from conventions.
  • Morin defines art as human-made objects that evoke aesthetic emotions.
  • He believes beauty is no longer archetypal but emanates from the work.

Entities

Artists

  • Edgar Morin
  • Edgar Degas
  • Ludwig van Beethoven
  • Hans Hartung
  • Pierre Soulages
  • Jean-Michel Atlan
  • Fra Angelico
  • Arthur Rimbaud
  • Georges Büchner
  • Novalis
  • J.M.W. Turner
  • Pierre-Auguste Renoir
  • Chaïm Soutine
  • Sandro Botticelli
  • Fyodor Dostoevsky
  • Paul Cézanne
  • Georges Braque
  • Pablo Picasso

Institutions

  • Beaux Arts Magazine
  • Musée du Louvre
  • Musée d'Orsay
  • RMN-Grand Palais
  • Tate
  • Robert Laffont

Locations

  • France
  • Latin America
  • Lascaux
  • Europe
  • China
  • India
  • Hollywood
  • Bollywood
  • USSR
  • Yugoslavia
  • Czechoslovakia
  • Himalaya

Sources