Dzenan Hadžihasanović's Political Neo-Impressionism at Prometeo Gallery
Dzenan Hadžihasanović (b. 1987, Sarajevo) presents a solo exhibition at Prometeo Gallery in Milan, exploring mass protest through his militant painting. The show, reviewed by Federica Maria Giallombardo for Artribune, examines collective movements from the Indignados to the Arab Spring, Hong Kong's umbrella revolution, and Barcelona's Catalan independence march. Hadžihasanović's work employs white as both censorship and blind frenzy, creating a paradox between subjective dominance and reassuring but ideologically weak collectivity. The artist's neo-impressionist style uses disobedient forms and colors to seek beauty in fury. The exhibition is praised for its fierce, rare sensitivity and deserved success.
Key facts
- Dzenan Hadžihasanović was born in Sarajevo in 1987.
- The exhibition is held at Prometeo Gallery in Milan.
- The show is reviewed by Federica Maria Giallombardo.
- The project reflects on the idea of protesting masses.
- Referenced protests include the Indignados, Arab Spring, Hong Kong umbrella revolution, and Barcelona march.
- The artist uses white as both censorship and blind frenzy.
- The style is described as political neo-impressionism.
- The review praises the show's fierce and rare sensitivity.
Entities
Artists
- Dzenan Hadžihasanović
Institutions
- Prometeo Gallery
- Artribune
Locations
- Milan
- Italy
- Sarajevo
- Bosnia and Herzegovina
- Hong Kong
- Barcelona
- Spain