Dragon Hill Residency Explores Jean Cocteau's Apolitical Beauty Through Lydia Figes' Text
In 2024, the Dragon Hill X ArtReview Writers Residency will host six writers and visual artists at the Dragon Hill, a site designed by Jacques Couëlle in 1964, which has welcomed notable figures like Pablo Picasso and Jean Cocteau. The residency's inaugural participant, Lydia Figes, will be in residence from May to June 2024, delving into the relationship between beauty and art's separation from politics, drawing on Cocteau's 'Secrets de Beauté' (1945), recently reissued as 'Secrets of Beauty' (2024). Cocteau penned the original during a train ride in March 1945, maintaining an apolitical view amid the German occupation of Paris, unlike his peers such as Picasso. An exhibition titled 'Jean Cocteau: The Juggler's Revenge' is on display at the Peggy Guggenheim Collection in Venice until September 16, 2024.
Key facts
- The Dragon Hill X ArtReview Writers Residency runs throughout 2024.
- Six writers selected by ArtReview and visual artists from Unit gallery participate.
- The residency is held at Dragon Hill in Mougins, near Nice, France.
- Dragon Hill was designed by Jacques Couëlle in 1964.
- Past residents include Pablo Picasso, Jean Cocteau, Yves Klein, Yves Saint Laurent, and Leo Castelli.
- First resident Lydia Figes stayed in May and early June 2024.
- Figes' text discusses Jean Cocteau's 'Secrets de Beauté' (1945), republished in 2024 as 'Secrets of Beauty' translated by Juliet Powys.
- Cocteau wrote the original during a train journey in March 1945 to visit his lover Jean Marais.
- Cocteau remained apolitical during the German occupation, befriending figures like Arno Breker.
- His stance contrasted with political artists like Picasso and Max Ernst.
- Cocteau was criticized by Surrealist leader André Breton and called an 'ubiquitist' by François Mauriac.
- His career included poetry, literature, visual arts, opera, and film, such as 'Beauty and the Beast' (1946).
- The text explores art's detachment from politics and moral consciousness.
- Cocteau viewed creativity as an external force, with the poet as its servant.
- Theodor Adorno's 'Aesthetic Theory' (1970) later examined art's autonomy.
- An exhibition 'Jean Cocteau: The Juggler's Revenge' is at the Peggy Guggenheim Collection in Venice through September 16, 2024.
Entities
Artists
- Lydia Figes
- Jean Cocteau
- Pablo Picasso
- Yves Klein
- Yves Saint Laurent
- Leo Castelli
- Jean Marais
- Arno Breker
- Max Ernst
- André Breton
- François Mauriac
- Theodor Adorno
- Jacques Couëlle
Institutions
- ArtReview
- Unit gallery
- Eris
- Peggy Guggenheim Collection
- Comoedia
Locations
- London
- United Kingdom
- Mougins
- Nice
- France
- Paris
- Venice
- Italy