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Double Solo Show of Printmakers Maria Pina Bentivenga and Mei Chen Tseng at Istituto Centrale per la Grafica

exhibition · 2026-04-27

The Istituto Centrale per la Grafica in Rome hosts a double solo exhibition titled 'Immediati dintorni' featuring artists Maria Pina Bentivenga (born 1973 in Matera) and Mei Chen Tseng (born 1977 in Taiwan). The show highlights a dialogue between Western and Eastern printmaking techniques: Bentivenga works with etching on zinc, creating light, dreamlike compositions that transform landscape elements, recalling the Nordic imaginary of Wenzel Hablik. Tseng employs woodcut, a muscular technique, to achieve atmospheric painterly effects, compared by Michela Becchis in the catalog to Chinese calligraphic-painting tradition, oscillating between Rome and Taipei. The exhibition also includes a collection of artist's editions celebrating the material proximity to poetry, as referenced in the title borrowed from Vittorio Sereni's collection of writings. This show is part of a new direction by the Institute to systematically valorize women artists in the peripheral field of printmaking.

Key facts

  • Double solo exhibition 'Immediati dintorni' at Istituto Centrale per la Grafica, Rome
  • Artists: Maria Pina Bentivenga (Matera, 1973) and Mei Chen Tseng (Taiwan, 1977)
  • Bentivenga uses etching (acquaforte) on zinc; Tseng uses woodcut (xilografia)
  • Tseng's work compared to Chinese calligraphic-painting tradition by Michela Becchis
  • Bentivenga's compositions evoke Nordic imaginary of Wenzel Hablik
  • Exhibition includes artist's editions with poets and writers
  • Part of Institute's new focus on women artists in printmaking
  • Title borrowed from Vittorio Sereni's collection of writings

Entities

Artists

  • Maria Pina Bentivenga
  • Mei Chen Tseng
  • Vittorio Sereni
  • Wenzel Hablik
  • Michela Becchis

Institutions

  • Istituto Centrale per la Grafica
  • Artribune

Locations

  • Rome
  • Italy
  • Matera
  • Taiwan
  • Taipei

Sources