Domenico Grenci on Female Portraiture, Bitumen, and Museums
Italian artist Domenico Grenci, born in Ardore (RC) in 1981 and based in Bologna, discusses his practice in an interview with Artribune. His work focuses on female portraits that he describes as an 'obstinate redemption from consumerism.' Grenci uses bitumen, a prehistoric material, to create mysterious veils and a timeless aura. He participated in the latest digital edition of ArtVerona. Grenci advocates for museums to become production spaces open to experimentation and for private galleries to host multidisciplinary events. He emphasizes the importance of provincial festivals and peripheral centers as growth incubators, arguing for a shift in perspective from margins to center. His influences include Schiele and Manolo Valdés.
Key facts
- Domenico Grenci was born in Ardore (RC) in 1981 and lives in Bologna.
- He participated in the latest digital edition of ArtVerona.
- Grenci uses bitumen in his works to create a mysterious halo.
- He cites Schiele and Manolo Valdés as influences.
- Grenci believes female portraiture can redeem itself from consumerism.
- He calls for museums to open to young artists and experimentation.
- He advocates for private galleries to host multidisciplinary events.
- He values provincial festivals and peripheral centers for growth.
Entities
Artists
- Domenico Grenci
- Egon Schiele
- Manolo Valdés
Institutions
- Artribune
- ArtVerona
Locations
- Ardore
- Italy
- Bologna