Dobrila Denegri Critiques Galleria Nazionale's 'Time Is Out of Joint' Rehang
Art historian Dobrila Denegri provides a critical analysis of the Galleria Nazionale d'Arte Moderna e Contemporanea's (GNAM) exhibition 'Time Is Out of Joint,' curated by Cristiana Collu and Saretto Cincinelli, running until April 15, 2018. She perceives it as a symbolic act, contrasting it with Tate Modern's more methodical exploration of art history. Denegri points out the absence of labels in GNAM's display, which she believes obscures important narratives, citing an out-of-context Antoni Tàpies piece from the 1958 Venice Biennale. She draws parallels with Hou Hanru's 'empty museum' concept at MAXXI and references the 16th Quadriennale d'Arte in Rome, titled 'Altri tempi / altri miti,' open until January 8, 2017, which also engages with themes of fractured time. Ultimately, Denegri suggests that GNAM's rehang has the potential to enrich Rome's contemporary art landscape.
Key facts
- Galleria Nazionale d'Arte Moderna e Contemporanea (GNAM) in Rome rehung its collection as 'Time Is Out of Joint', curated by Cristiana Collu with Saretto Cincinelli, on view until April 15, 2018.
- The exhibition uses a diacronic approach without explanatory labels, juxtaposing works from different periods.
- Art historian Dobrila Denegri published a critical analysis on Artribune, arguing the rehang is a symbolic gesture rather than a methodological proposal.
- Denegri contrasts GNAM's approach with Tate Modern's thematic hang, which includes labels and aims to integrate non-Western modernisms.
- She cites a decontextualized Antoni Tàpies work that was originally shown at the 1958 Venice Biennale, where Tàpies and Chillida won Golden Lions.
- The 16th Quadriennale d'Arte, titled 'Altri tempi / altri miti', runs until January 8, 2017 at Palazzo delle Esposizioni.
- Francesco Vezzoli's work at the Quadriennale marks a formal shift from celebrity themes to classical sculpture, which he describes as 'killing the fathers'.
- A performance by Maloberti at the Quadriennale involves cutting out ancient sculpture heads from art history books and placing them on the floor to be trampled.
- Rä di Martino's work at the Quadriennale evokes social chronicles and history.
- Denegri suggests GNAM's rehang could strengthen Rome's contemporary art scene by encouraging rethinking of foundational structures.
Entities
Artists
- Dobrila Denegri
- Antoni Tàpies
- Eduardo Chillida
- Francesco Vezzoli
- Maloberti
- Rä di Martino
- Lars Nittve
- Iwona Blazwick
- Hou Hanru
Institutions
- Galleria Nazionale d'Arte Moderna e Contemporanea (GNAM)
- Tate Modern
- MAXXI
- Quadriennale di Roma
- Palazzo delle Esposizioni
- Biennale di Venezia
- Artribune
Locations
- Rome
- Italy
- London
- United Kingdom
- Belgrade
- Serbia
- Torun
- Poland