Digital Archives and Contemporary Art: Challenges and Opportunities
Gabriella De Marco, professor of contemporary art history at the University of Palermo, reflects on the state of digital archives in contemporary art. She contrasts the traditional view of archives as boring and antiquarian with their essential role in preserving cultural memory. Digital archives, despite their immaterial nature, face issues of integrity, persistence, and obsolescence. The web itself has become a source and archive, adding user interactivity to the mix. This requires interdisciplinary skills from archival science to computer science. The tension between the humanistic desire for permanence and technological demands for constant updates poses risks. Digital documents, like analog media before them, require continuous transcription and migration to avoid loss. De Marco emphasizes the need for ongoing reflection on the conservation and updating of digital cultural heritage.
Key facts
- Gabriella De Marco is a professor of contemporary art history at the University of Palermo.
- The article discusses digital archives in contemporary art.
- Digital archives face issues of integrity, persistence, and obsolescence.
- The web is considered a source and archive with user interactivity.
- Interdisciplinary skills are needed for digital archiving.
- There is a tension between permanence and constant technological updates.
- Digital documents require continuous transcription and data migration.
- The article was published on Artribune in March 2018.
Entities
Artists
- Gabriella De Marco
Institutions
- University of Palermo
- Artribune
- Armani Silos
- Fondazione Feltrinelli
Locations
- Milan
- Italy
- Palermo