ARTFEED — Contemporary Art Intelligence

Decoding Albrecht Dürer's Melencolia I: Symbols and Meanings

publication · 2026-05-21

Albrecht Dürer's 1514 engraving "Melencolia I" is a dense allegorical work filled with symbols. The title, spelled archaically, appears on the plate itself—the only Dürer engraving to bear a title. The date 1514 is embedded in a magic square and near Dürer's monogram. The "I" likely refers to the first of three melancholic types defined by Cornelius Agrippa: Melancholia Imaginativa, where imagination dominates reason and spirit. The composition includes an unused set of geometry tools, a magic square summing to 34 in multiple ways, a truncated rhombohedron (Dürer's solid) with a skull, an hourglass, a despondent winged figure, purse and keys, a beacon or comet, and a rainbow. Two main interpretations exist: a general allegory of melancholy, and an autobiographical reflection of Dürer's own depression, as suggested by Erwin Panofsky. Dürer wrote shortly before: "What is beautiful, I do not know." Renaissance thought linked melancholy to creative genius, yet also to madness. The winged figure, head in hand, holds a caliper amid geometric instruments—geometry being one of the seven liberal arts. The print is held at the Staatsgalerie Stuttgart.

Key facts

  • Albrecht Dürer created Melencolia I in 1514.
  • It is the only Dürer engraving with a title on the plate.
  • The date 1514 appears in the magic square and near the monogram.
  • The 'I' likely refers to Melancholia Imaginativa, the first of three types by Cornelius Agrippa.
  • The magic square sums to 34 in rows, columns, quadrants, corners, and center.
  • The truncated rhombohedron is known as Dürer's solid.
  • Erwin Panofsky suggested an autobiographical interpretation of Dürer's depression.
  • The print is housed at Staatsgalerie Stuttgart.

Entities

Artists

  • Albrecht Dürer
  • Erwin Panofsky
  • Cornelius Agrippa

Institutions

  • Staatsgalerie Stuttgart

Locations

  • Stuttgart
  • Germany

Sources