David Rhodes Discusses Process and Influences in Hionas Gallery Exhibition
In his second exhibition, "Between the Days," David Rhodes showcases three expansive paintings at Hionas Gallery. These pieces utilize black acrylic on unprimed canvas, forming rhythmic vertical lines. After relocating to New York nearly two years ago from London, Berlin, and Barcelona, Rhodes completes each artwork within a single day, inscribing the date and location on every canvas. Influenced by On Kawara, he attended Kawara's Guggenheim exhibition last year. His creative method involves spontaneous taping without premeditation, differing from Amy Feldman's technique. Additionally, Rhodes critiques Frank Stella's balanced spatial arrangements and frequently writes for artcritical and The Brooklyn Rail, while also engaging with works by Elizabeth Bishop, Marcel Proust, and James Salter's Light Years.
Key facts
- David Rhodes's second show at Hionas Gallery features three large-scale paintings.
- The exhibition is titled "Between the Days," referencing time and recall.
- Each painting is completed in a single day, with date and city listed on the canvas.
- Rhodes moved to New York almost two years ago after living in London, Berlin, and Barcelona.
- He identifies with On Kawara's practice of marking the day a painting was made.
- Scale alters physical and conceptual engagement with the work.
- His process involves consecutive taped sections without prior planning.
- Rhodes uses black acrylic on raw canvas, focusing on light rather than metaphor.
Entities
Artists
- David Rhodes
- On Kawara
- Amy Feldman
- Philip Guston
- Kazimir Malevich
- Frank Stella
- Blinky Palermo
- Mary Heilmann
- Matisse
- Samuel Beckett
- Elizabeth Bishop
- Marcel Proust
- James Salter
- Hollis Frampton
Institutions
- Hionas Gallery
- Guggenheim
- artcritical
- The Brooklyn Rail
- Artforum
Locations
- New York
- London
- Berlin
- Barcelona
- UK