David Pye's Craft Distinction Revisited in 10 Projects
In 1968, David Pye, a furniture designer and professor at the Royal College of Art, published 'The Nature and Art of Workmanship', a book structured around the distinction between 'workmanship of risk' and 'workmanship of certainty'. Pye's work is not about architecture, and despite common usage, it does not refer to the dichotomy between hands and machines. He noted that a printing press, even if completely mechanical, still depends on a person evaluating the ink and registration, while in manual wood turning, one can follow a template with such precision that virtually nothing is left to chance. This concept is now applied to a selection of 10 projects that explore the interplay between craftsmanship and imperfection, bridging the manual and the mechanical. The projects, featured on ArchDaily, highlight how Pye's ideas resonate in contemporary design and architecture, emphasizing the value of risk and the human touch in an increasingly automated world.
Key facts
- David Pye published 'The Nature and Art of Workmanship' in 1968.
- Pye was a furniture designer and professor at the Royal College of Art.
- The book distinguishes between 'workmanship of risk' and 'workmanship of certainty'.
- Pye's concept is often misused to refer to the hands vs. machines dichotomy.
- Pye used a printing press as an example of mechanical work still requiring human judgment.
- Manual wood turning can follow a template with precision, leaving little to chance.
- The article presents 10 projects that explore craftsmanship and imperfection.
- The projects are featured on ArchDaily.
- The source URL is from ArchDaily's Spanish site.
- The article applies Pye's ideas to contemporary design and architecture.
Entities
Artists
- David Pye
Institutions
- Royal College of Art
- ArchDaily