Daniel Steegmann Mangrané's Philosophical Art Explores Nature-Culture Dualities Through Amerindian Cosmology

In Rio de Janeiro, Catalan artist Daniel Steegmann Mangrané delves into philosophical concepts, particularly focusing on post-Enlightenment dualities, drawing inspiration from Eduardo Viveiros de Castro's multinaturalist perspectivism and Roger Caillois's 1935 essay on mimicry. His notable pieces include 'Morfogenesis – Cripsis' (2013), showcased at Mendes Wood's Frieze Focus in London, which incorporates nets and organic designs. The 16mm film 'Phasmides' (2012) challenges the divide between nature and culture. His 'Systemic Grids' series at Proyectos Monclova critiques Carl Andre's principles. For the Mercosul Biennial, he references Brazilian oil platforms. Upcoming solo shows are at CRAC Alsace (19 October 2014 - 18 January 2015) and Esther Schipper, Berlin (30 April - 5 June 2015). His work will also be featured in the Prêmio PIPA exhibition (6 September - 16 November 2014).