Daniel Arsham's First Latin American Exhibition at Baró Galeria Features Fossilized Future Relics
Daniel Arsham's first exhibition in Latin America is currently on display at Baró Galeria in São Paulo, highlighting the concept of future archaeology through reimagined modern items. Spanning 1,500sqm, the gallery features Crystal Car (2014), a 1976 Chevrolet Opala partially buried beneath eight tons of glass pellets. Nearby, Focus (2013) showcases a life-sized cast of Arsham crafted from broken glass and resin. Four gouache paintings illustrate architectural structures within marshy environments. The short film Future Relic 01 (2013) depicts a character uncovering contemporary artifacts in desert landscapes. Sculptures that mimic fossils include payphones and early laptops constructed from volcanic ash and gypsum cement. This exhibition, influenced by Arsham's work with Snarkitecture, follows Pablo Siquier's earlier show at the same venue.
Key facts
- Daniel Arsham's first Latin American exhibition occurred at Baró Galeria in São Paulo
- The exhibition features Crystal Car (2014), a ruined 1976 Chevrolet Opala buried under eight tons of glass pellets
- Focus (2013) is a life-size sculpture of Arsham made from broken glass and resin
- Future Relic 01 (2013) is a short film showing future archaeologists discovering present-day artifacts
- Sculptures include fossilized versions of payphones, TV sets, Polaroid cameras, radios, and early laptops
- Materials used include volcanic ash, glacial rock dust, Hydro-Stone gypsum cement, quartz crystal, and obsidian
- The exhibition explores themes of destruction, loss, catastrophe, and object persistence
- Arsham collaborates with Alex Mustonen in the design duo Snarkitecture
Entities
Artists
- Daniel Arsham
- Pablo Siquier
- Alex Mustonen
Institutions
- Baró Galeria
- Snarkitecture
Locations
- São Paulo
- Brazil
- New York
- United States