Damien Hirst's discursive ready-mades at Académie de Lagado
The article examines Damien Hirst's oeuvre, arguing that all his work tends toward the ready-made, but a discursive ready-made that generates meaning by pointing to illness and medicine. The text discusses how Hirst's practice, from preserved animals to pharmaceutical cabinets, functions as a conceptual gesture that borrows from the readymade tradition while shifting its focus toward medical and biological themes. The article appears in artpress, a French art magazine, and was published in May 2001. No specific exhibition or event is mentioned; the piece is a critical essay on Hirst's artistic approach.
Key facts
- Damien Hirst's work is described as tending toward the discursive ready-made.
- The ready-made is used to generate meaning about illness and medicine.
- The article was published in artpress magazine.
- The publication date is May 2001.
- The article is a critical essay, not a review of a specific exhibition.
Entities
Artists
- Damien Hirst
Institutions
- artpress
Sources
- artpress —