Damien Deroubaix's Violent Paintings on Paper Featured in Two Solo Exhibitions in 2007
Damien Deroubaix's 2007 solo exhibitions showcased his distinctive visual language characterized by violent juxtapositions. His paintings on paper feature provocative imagery including mutilated young women who appear undisturbed by their injuries, shark jaws, meat chunks, and Mesopotamian deities. These elements are set against backgrounds of economic-political slogans that intensify the brutal clash of motifs. The first exhibition ran from January 13 to March 24 at Le Transpalette in Bourges. A second exhibition followed at Galerie in Situ / Fabienne Leclerc in Paris from March 17 to April 21, 2007. Deroubaix's work presents a disturbing yet compelling aesthetic where sexualized female figures coexist with visceral biological fragments and ancient mythological references. The economic-political text elements create additional layers of meaning within the chaotic compositions. Both exhibitions presented these works on paper as complete artistic statements rather than preparatory studies.
Key facts
- Damien Deroubaix created violent paintings on paper
- Exhibitions featured mutilated young women who appear undisturbed
- Works include shark jaws, meat chunks, and Mesopotamian deities
- Backgrounds contain economic-political slogans
- First exhibition at Le Transpalette in Bourges from January 13 to March 24, 2007
- Second exhibition at Galerie in Situ / Fabienne Leclerc in Paris from March 17 to April 21, 2007
- Works present brutal clashes of motifs
- Artistic elements include sexualized figures and biological fragments
Entities
Artists
- Damien Deroubaix
Institutions
- Le Transpalette
- Galerie in Situ / Fabienne Leclerc
- artpress
Locations
- Bourges
- France
- Paris