Czechoslovakian Artists' Union 1964 Congress Examined in New Study
A recent study by Johana Lomová and Karel Šima analyzes the 1964 Congress of the Czechoslovakian Artists' Union (SČSVU), examining its performance and success. The research appears in the publication "Umění a revoluce" (Art and Revolution), edited by Lomová and Jindřich Vybíral, published by UMPRUM in Prague in 2017. This investigation comes as contemporary artists across Central and Eastern Europe have shown renewed interest in Artists' Unions over the past decade, moving beyond what scholar Piotr Piotrowski described as "anti-communism" in his work "Art and Democracy in Post-Communist Europe." The original article discussing these developments was published on ARTMargins Online, written by Johana Lomová. The study specifically focuses on the 1964 conference, providing detailed notes on the effectiveness of its performance within the historical context of Czechoslovak art institutions.
Key facts
- Johana Lomová and Karel Šima authored a study on the 1964 Czechoslovakian Artists' Union Congress
- The study appears in "Umění a revoluce" published by UMPRUM in Prague in 2017
- Contemporary Central and Eastern European artists have renewed interest in Artists' Unions
- This interest has emerged over the past decade
- Scholar Piotr Piotrowski previously described a period of "anti-communism" in post-communist Europe
- The original article was published on ARTMargins Online
- Johana Lomová wrote the ARTMargins Online article
- The study examines the performance and success of the 1964 Congress
Entities
Artists
- Johana Lomová
- Karel Šima
- Jindřich Vybíral
- Piotr Piotrowski
Institutions
- ARTMargins Online
- Czechoslovakian Artists' Union
- SČSVU
- UMPRUM
Locations
- Prague
- Czech Republic
- Central Europe
- Eastern Europe
- London