coyote Collective Opens First Institutional Solo Exhibition at O–Overgaden

The Danish-Swedish artist collective coyote, active since 2017, presents its first institutional solo exhibition at O–Overgaden in Copenhagen's Christianshavn district. The group tore down an end wall to reveal hidden factory windows, opening a view of the city. The wall's panelling was repurposed into tables and sculptural elements. The exhibition features footage from an endoscopic camera of cracks in asphalt on Korsgade, linked to a 1983 squatter escape tunnel. The invitation drawing references the 1970s Danish TV series 'Huset på Christianshavn'. At the opening, Swedish artist Annika Eriksson restaged 'Copenhagen Postmen's Orchestra' (1996), performed by the actual Copenhagen Post Orchestra playing Portishead's 'Sour Times'. coyote previously served as jury and curator for the 2025 Spring Exhibition at Charlottenborg, introducing categories like 'unfinished works'. The collective's members remain anonymous; press images feature collaborators photographed by Anders Edström in Stockholm and Absalon Kirkeby in Copenhagen. The group's work explores urban navigation, institutional critique, and collective memory, drawing on references from Julie Ault's writings on slowing down the 'industry treadmill'.