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Corrado Cagli's great-niece denies artist was fascist

opinion-review · 2026-04-27

Valery Decola, great-niece of Italian artist Corrado Cagli (Ancona, 1910 – Rome, 1976), has publicly refuted claims that her great-uncle was a fascist. The rebuttal comes in response to a December 2023 article on Artribune reviewing Cagli's exhibition at the Center for Italian Modern Art (CIMA) in New York, which ran until January 27, 2024. The article, titled "La mostra newyorkese di Corrado Cagli, artista ebreo che fu fascista" (The New York exhibition of Corrado Cagli, Jewish artist who was a fascist), summarized curator Raffaele Bedarida's historical interpretation. Decola asserts that Cagli was not a fascist and that no historical sources support such a claim. She explains that her family were secular Jews with thriving intellectual and artistic activities but no connection to the political propaganda of the era. When Mussolini came to power, Cagli was already an established artist and was commissioned to create large-scale works for major Italian cities. Decola states that Cagli's desire was to continue living and working in his beloved homeland and to create a lasting cultural legacy, without intentionally supporting fascist policies or ideologies. She argues that some of his countercultural works, which could be interpreted as protest art, drew criticism and led to his exile. Decola calls for an accurate representation of Cagli's life and work, emphasizing that his artistic legacy should not be confused with fascist involvement.

Key facts

  • Valery Decola is the great-niece of Corrado Cagli.
  • Cagli was born in Ancona in 1910 and died in Rome in 1976.
  • The exhibition at CIMA in New York was reviewed by Artribune in December 2023.
  • The exhibition ran until January 27, 2024.
  • Curator Raffaele Bedarida interpreted Cagli as a fascist.
  • Decola says Cagli was not a fascist and no sources support that claim.
  • Cagli's family were secular Jews with no connection to fascist propaganda.
  • Cagli was commissioned to create large-scale works for Italian cities under Mussolini.
  • Some of Cagli's works were countercultural and led to criticism and exile.
  • Decola requests a correction to state that Cagli never supported fascism.

Entities

Artists

  • Corrado Cagli

Institutions

  • Artribune
  • Center for Italian Modern Art (CIMA)

Locations

  • New York
  • United States
  • Ancona
  • Italy
  • Rome

Sources