Clickbaiting in Archaeology: Who Profits and Who Loses
The article examines the impact of clickbait journalism on archaeological reporting, arguing that sensationalist headlines distort public understanding and harm cultural institutions. It notes a positive correlation between topic complexity and hyperbolic titles, as non-specialist magazines use exaggerated claims like "discoveries that change history" to attract clicks. This creates a "price war" of sensationalism with no objective limits, unlike economic price wars. While this may increase readership, it desensitizes audiences to genuine discoveries and pressures museums to adopt similar tactics to drive physical visits. The author advocates for serious scientific dissemination, citing successful social media accounts that attract users without sacrificing scientific value. Examples include Capitolium, Parco Archeologico Brescia Romana, Fondazione Brescia Musei, and Parco Archeologico Segesta. The piece warns against cultural institutions mimicking webzine sensationalism and urges them to find coherent narrative lines aligned with their content.
Key facts
- Clickbait journalism in archaeology uses hyperbolic titles like 'discoveries that change history'.
- Non-specialist magazines are the main perpetrators of this sensationalism.
- There is a positive correlation between topic complexity and use of journalistic hyperbole.
- Sensationalism creates a 'price war' with no objective limits.
- Audiences become desensitized to genuine archaeological discoveries.
- Museums face pressure to adopt similar tactics to attract visitors.
- Successful social media accounts disseminate scientific information without sensationalism.
- Capitolium, Parco Archeologico Brescia Romana, Fondazione Brescia Musei, and Parco Archeologico Segesta are mentioned as examples.
Entities
Institutions
- Capitolium
- Parco Archeologico Brescia Romana
- Fondazione Brescia Musei
- Parco Archeologico Segesta
- Artribune
- Monti&Taft
Locations
- Brescia
- Italy
- Segesta