Claudia Comte's Site-Specific Murals at Castello di Rivoli
Claudia Comte's exhibition 'Come crescere e avere sempre la stessa forma' at Castello di Rivoli features eleven mural interventions that create a dialogue between the artist's biography and the museum's architecture. The Swiss artist, born in 1983 in Grancy, draws from her background under John Armleder and references minimalism, Op art, and gestalt principles. The works, made by removing vinyl film to reveal painted surfaces, evoke natural rhythms, mathematics, and digital culture. The exhibition treats the gallery as a living organism, with walls as skin. Critic Valerio Veneruso notes the show's technical mastery but finds it too indebted to historical precedents like Sol LeWitt, Bridget Riley, and Marina Apollonio, lacking innovation compared to contemporaries like Tobias Rehberger.
Key facts
- Claudia Comte's exhibition at Castello di Rivoli runs in 2019.
- The show includes eleven mural interventions on the third floor.
- Comte was born in 1983 in Grancy, Switzerland.
- She studied under John Armleder.
- The murals were created by removing vinyl film to reveal painted surfaces.
- The exhibition references M.C. Escher and Mies van der Rohe's 'Less is more'.
- Critic Valerio Veneruso compares the work to Sol LeWitt, Bridget Riley, and Marina Apollonio.
- Veneruso suggests the work lacks innovation compared to Tobias Rehberger.
Entities
Artists
- Claudia Comte
- John Armleder
- M.C. Escher
- Mies van der Rohe
- Sol LeWitt
- Bridget Riley
- Marina Apollonio
- Tobias Rehberger
- Valerio Veneruso
Institutions
- Castello di Rivoli
- Castello di Rivoli Museo d’Arte Contemporanea
- Artribune
Locations
- Rivoli
- Italy
- Grancy
- Switzerland
- Mont Tendre
- Torino