Claude Viallat's Painting Undone: Supports/Surfaces Movement
Born in 1936, Claude Viallat is a prominent artist associated with the Supports/Surfaces movement, which arose in France during the late 1960s and challenged conventional painting by focusing on the physicality of materials. His technique features repetitive organic forms on unstretched canvases, with paint applied directly onto the fabric. Alongside artists such as Daniel Dezeuze and Patrick Saytour, the movement opposed the commercialization of art and favored material exploration, gaining visibility through exhibitions at places like the Musée d'Art Moderne de la Ville de Paris. Viallat was active from 1969 to 1972, adapting his work to exhibition environments and utilizing industrial materials. He taught at the École des Beaux-Arts from 1979 to 2003 and still exhibits globally, with his archive housed at the Institut National d'Histoire de l'Art in Paris.
Key facts
- Claude Viallat is a key figure in the Supports/Surfaces movement
- The movement emerged in France in the late 1960s
- Viallat uses repeated organic shapes on unstretched canvases
- The movement challenged traditional painting conventions
- Daniel Dezeuze, Patrick Saytour, and André Valensi were also members
- The movement was active primarily in southern France
- Viallat taught at the École des Beaux-Arts in Montpellier from 1979 to 2003
- The movement's peak activity was between 1969 and 1972
Entities
Artists
- Claude Viallat
- Daniel Dezeuze
- Patrick Saytour
- André Valensi
Institutions
- Musée d'Art Moderne de la Ville de Paris
- Centre Pompidou
- Musée National d'Art Moderne
- École des Beaux-Arts de Montpellier
- Musée Fabre
- Institut National d'Histoire de l'Art
- Museum of Modern Art, New York
- Venice Biennale
Locations
- France
- Paris
- Montpellier
- Nice
- Nîmes
- New York