Clara Tosi Pamphili on #MeToo: Respect but Not Total Agreement
Clara Tosi Pamphili, a fashion and costume historian and curator, shares her nuanced views on the #MeToo movement in an interview with Artribune. She expresses respect for the movement but not total agreement, acknowledging its positive role in raising awareness and empowering victims while fearing the instrumentalization and media manipulation that can distort narratives. She notes that the Italian art system lacks a true structure and does not believe gender significantly affects artistic consideration, citing examples like Cecilia Alemani's selection for the Italian Pavilion at the 2017 Venice Biennale, which included two male artists and one female. Pamphili also comments on generational changes, expressing hope that younger generations will redefine respect, and criticizes both older artists exploiting young female artists and young artists taking advantage of older ones. The interview was conducted by Santa Nastro, vice director of Artribune.
Key facts
- Clara Tosi Pamphili is a fashion and costume historian and curator.
- She respects #MeToo but does not fully agree with it.
- She fears instrumentalization and media manipulation more than the phenomenon itself.
- She believes the Italian art system does not exist as a true system.
- She does not think gender affects artistic consideration in Italy.
- Cecilia Alemani curated the Italian Pavilion at the 2017 Venice Biennale with two male artists and one female.
- Pamphili hopes younger generations will destroy and rebuild respect.
- The interview was conducted by Santa Nastro, vice director of Artribune.
Entities
Artists
- Clara Tosi Pamphili
- Shirin Neshat
- Cecilia Alemani
- Roberto Cuoghi
- Santa Nastro
Institutions
- Artribune
- A.I. Artisanal Intelligence
- Padiglione Italia
- Esposizione Internazionale d’Arte
Locations
- Italy
- Venezia
- Milano