Claire Margat Compares Jeroen Frateur and Franco Bellucci's Assemblages
In artpress issue 429 (January 2016, pp. 92-93), critic Claire Margat explores the distinction between a random pile of objects on a gallery floor and a curated collection by an Art Brut artist. She examines works by Jeroen Frateur and Franco Bellucci, questioning what separates constructed chance from fortuitous encounters in contemporary art.
Key facts
- Article published in artpress issue 429, January 2016
- Pages 92-93
- Author: Claire Margat
- Compares works by Jeroen Frateur and Franco Bellucci
- Discusses difference between simple object assemblages and Art Brut collections
- References FIAC as context for contemporary art display
- Focuses on constructed chance versus fortuitous encounters
Entities
Artists
- Jeroen Frateur
- Franco Bellucci
- Claire Margat
Institutions
- artpress
- FIAC
Sources
- artpress —