Cisco Merel's São Paulo Exhibition Explores Identity Through Indigenous-Inspired Clay Sculptures
From August 3 to October 5, 2024, the Zielinsky gallery in São Paulo, Brazil, will host a solo exhibition by Panamanian artist Cisco Merel, titled 'Âncoras atemporais.' The exhibition showcases six sizable clay wall sculptures and two standalone pieces, all crafted in 2024, in addition to two abstract geometric paintings. Among the sculptures are 'Ramaje,' 'Floramiga,' 'Amuleto,' 'Sol y luna,' and two variations of 'La Danza,' characterized by deep ochre tones and cracked textures. Drawing inspiration from the molas of Panama's Guna people, the clay represents the reclamation of land by Central America's indigenous populations. The paintings, 'Espiritus Fluviales' and 'Eterno Presente,' embody a hard-edged abstract style, while the exhibition critiques contemporary curatorial practices by presenting a complex view of identity.
Key facts
- Exhibition runs August 3 to October 5, 2024
- Features six large clay wall sculptures and two floor works
- All works created in 2024
- Merel draws inspiration from Guna people's molas textiles
- Artist has Indigenous, Black, and Chinese ancestry
- Clay use symbolizes reclamation of Indigenous land
- Includes two abstract geometric paintings with hard-edged abstraction
- Merel previously worked with Carlos Cruz-Diez
Entities
Artists
- Cisco Merel
- Carlos Cruz-Diez
Institutions
- Zielinsky
- Venice Biennale
- Panamanian Pavilion
- Artreview
Locations
- São Paulo
- Brazil
- Panama
- Central America
- Venezuela