Christopher Le Brun's Abstraction Show at Friedman Benda Merges New York School and Turner
At Friedman Benda in Chelsea, Christopher Le Brun showcases his most significant and ambitious painting to date, blending New York School abstraction with proto-impressionist influences akin to J.M.W. Turner. The exhibition, which opened last week, will be on display until October 18, 2014, at 515 West 26th Street in New York City. As President of the Royal Academy of Arts, Le Brun navigates a dual stylistic approach, alternating between non-objective art and neo-romantic landscapes that often feature horses, knights, and Wagnerian themes. His painting "Enter the City" (2014), measuring 120 x 105 inches in oil on canvas, captures his atmospheric style filled with a glowing mystery. Critics regard this exhibition as his most challenging exploration of pure lyricism.
Key facts
- Christopher Le Brun's exhibition at Friedman Benda opened last week in Chelsea
- The show runs through October 18, 2014, at 515 West 26th Street, New York City
- Le Brun is President of the Royal Academy of Arts and a British painter
- His work fuses New York School abstraction with proto-impressionism akin to J.M.W. Turner
- The painting "Enter the City" (2014) is 120 x 105 inches, oil on canvas
- Le Brun's practice oscillates between abstraction and neo-romantic landscapes with horses
- His work has been compared to Brice Marden's Chinese phase and Gerhard Richter's career
- Robert Rosenblum's 1978 study "Modern Painting and the Northern Romantic Tradition" provides context
Entities
Artists
- Christopher Le Brun
- Robert Rosenblum
- Gerhard Richter
- Brice Marden
- Guston
- Clyfford Still
- J.M.W. Turner
- David Cohen
Institutions
- Friedman Benda
- Royal Academy of Arts
- artcritical
Locations
- Chelsea
- New York City
- United States
- 515 West 26th Street