Christian Caliandro's Essay on Feminine Spaces and 'Smarginatura'
Christian Caliandro's essay explores the concept of feminine spaces and 'smarginatura' (blurring of boundaries), drawing on feminist theory and literature. The text contrasts feminine principles of conservation, care, and connection with masculine conflict and domination. It references Carla Lonzi's 1970 'Sputiamo su Hegel' questioning women's participation in a male-designed world. Anaïs Nin's diaries are cited on women's territory as 'inviolate' and on the reluctance to expel a dead child, symbolizing preservation versus separation. The essay discusses 'smarginatura' as a central concept in Elena Ferrante's novels, where protagonist Lila experiences a loss of solid boundaries, blurring identity. Mariagrazia De Luca's interview with Grace Russo Bullaro is quoted, emphasizing Ferrante's breaking of discursive margins beyond female relationships. The essay also describes Matera's Sassi as a feminine space—frayed, horizonless, sunken. Henry Miller's reflection on ancient women ruling the world is included. The piece is published on Artribune, an Italian art magazine.
Key facts
- Essay by Christian Caliandro on feminine spaces and 'smarginatura'
- References Carla Lonzi's 1970 'Sputiamo su Hegel'
- Quotes Anaïs Nin's Diario I (Bompiani 2016) on women's territory
- Discusses 'smarginatura' in Elena Ferrante's novels
- Cites Mariagrazia De Luca interview with Grace Russo Bullaro
- Describes Matera's Sassi as a feminine space
- Includes Henry Miller's 'Riflessioni sulla morte di Mishima' (Feltrinelli 2016)
- Published on Artribune in December 2018
Entities
Artists
- Christian Caliandro
- Carla Lonzi
- Anaïs Nin
- Elena Ferrante
- Mariagrazia De Luca
- Grace Russo Bullaro
- Henry Miller
Institutions
- Artribune
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane
- Bompiani
- Feltrinelli
Locations
- Matera
- Italy