Christian Caliandro's Cyberpunk Mediterranean: Taranto and San Vito
Christian Caliandro reflects on the urban and cultural landscape of Taranto and San Vito dei Normanni, blending personal anecdotes with observations on decay, memory, and regeneration. In Taranto, he visits Antonio Mariano's workshop, a space filled with paintings of seascapes and model warships, where Mariano recounts meeting Elvis Presley at Malpensa Airport in 1964. Caliandro describes Taranto as an "indecipherable stain" on a blue tie, its buildings eroding yet inhabited, embodying a compressed stratification of history. In San Vito dei Normanni, he attends a workshop on urban regeneration at Barberia De Siati, where Roberto discusses the need for community involvement and a "choral dimension" to overcome distrust. Caliandro coins the term "cyberpunk Mediterranean" to describe the luminous, vernacular, and archaic fusion of elements he encounters.
Key facts
- Antonio Mariano met Elvis Presley at Malpensa Airport in 1964.
- Mariano's workshop in Taranto contains paintings of seascapes and model warships.
- Caliandro describes Taranto as an 'indecipherable stain' on a blue tie.
- The Barberia De Siati in San Vito dei Normanni hosts a workshop on urban regeneration.
- Roberto emphasizes the need for a 'choral dimension' in regeneration projects.
- Caliandro uses the term 'cyberpunk Mediterranean' to describe the local aesthetic.
- The workshop took place on May 12, 2017.
- Caliandro is an art historian teaching at the Accademia di Belle Arti di Firenze.
Entities
Artists
- Antonio Mariano
- Elvis Presley
- Little Tony
- Alessandro Bulgini
- Christian Caliandro
Institutions
- Artribune
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane
Locations
- Taranto
- Taranto Vecchia
- via Duomo
- San Vito dei Normanni
- Barberia De Siati
- corso Leonardo Leo
- Milano
- Malpensa Airport
- Pechino