ARTFEED — Contemporary Art Intelligence

Christian Caliandro's Critique of Italy's Golden Age Nostalgia

opinion-review · 2026-05-05

Christian Caliandro, an art historian and professor at the Accademia di Belle Arti di Firenze, published a reflective essay on Artribune on May 17-18, 2017, criticizing Italy's obsession with a mythical golden age of the 1960s and 1970s. He describes a train journey to Verona, where he observes a society governed by dual regimes of official and informal rules, drawing parallels to Middle Eastern countries and the Ottoman influence. In Verona, he visits the Casa di Giulietta, noting the accumulation of graffiti and tourist kitsch, including a statue of Juliet created in 1972. He argues that younger generations are burdened by an invented historical weight and calls for embracing the present moment without imported nostalgia. The essay blends personal observation with cultural critique, touching on power dynamics, urban identity, and the need to choose one's own life.

Key facts

  • Christian Caliandro is an art historian and professor at Accademia di Belle Arti di Firenze.
  • The essay was published on Artribune on May 17-18, 2017.
  • Caliandro criticizes Italy's nostalgia for the 1960s and 1970s as a mythical golden age.
  • He describes Verona as a place with dual regimes of official and informal rules.
  • He draws parallels between Italy and Middle Eastern countries regarding power dynamics.
  • At Casa di Giulietta, he notes graffiti layers and a statue of Juliet made in 1972.
  • Caliandro calls for younger generations to escape imposed nostalgia and live fully in the present.
  • The essay includes reflections on writing, perception, and the sensation of the present.

Entities

Artists

  • Christian Caliandro
  • Piero della Francesca

Institutions

  • Accademia di Belle Arti di Firenze
  • Artribune
  • Symbola Fondazione per le Qualità italiane

Locations

  • Verona
  • Italy
  • Torino
  • Taranto Vecchia
  • Casa di Giulietta

Sources