Christian Caliandro's 'Capricci (VI)' on Practice, Rebellion, and Cultural Resistance
Christian Caliandro's essay 'Capricci (VI). Il primato della pratica' on Artribune reflects on the primacy of practice over theory, drawing from Greg Egan's 'Incandescence'. He argues that practice contains theory and opens to contradiction, while theory tends to self-confirmation. The text critiques cynicism as conformist and self-destructive, advocating for rebellion and avant-garde as vital, not outdated. Caliandro, an art historian teaching at Accademia di Belle Arti di Firenze, uses personal notes and references to James Ellroy and Eugenio Montale to explore generational dynamics, failure, and the value of creating unpredictable works. The essay includes promotional sections for Artribune newsletters: 'Incanti' (art market), 'Render' (urban regeneration), 'PAX' (cultural tourism), and 'Lettera' (daily newsletter). It also features concept art by Syd Mead for 'Blade Runner'.
Key facts
- Essay titled 'Capricci (VI). Il primato della pratica' published on Artribune.
- Author is Christian Caliandro, born 1979, art historian at Accademia di Belle Arti di Firenze.
- Caliandro is a member of Symbola Foundation's scientific committee.
- Essay quotes Greg Egan's 'Incandescence' (Mondadori, 2010, p. 169).
- References James Ellroy's 'Prega detective' (1981).
- Mentions Syd Mead's concept art for 'Blade Runner'.
- Promotes Artribune newsletters: Incanti (weekly art market), Render (biweekly urban regeneration), PAX (biweekly cultural tourism), Lettera (daily).
- Caliandro argues practice precedes theory and contains it, while theory tends to self-confirmation.
Entities
Artists
- Christian Caliandro
- Greg Egan
- James Ellroy
- Eugenio Montale
- Syd Mead
Institutions
- Artribune
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane
- Mondadori
Locations
- Firenze
- Italy