Christian Caliandro on the unsustainability of the art world in Phase Two
In an article for Artribune, Christian Caliandro reflects on the unsustainability of the art world as it faces the post-pandemic "Phase Two." He argues that the crisis has exposed deep structural problems: hyper-precarious working conditions, invisibility, classism, elitism, and self-referentiality that cut art off from reality. Gallerist Emilio Mazzoli, responding via Marco Neri, criticizes the system for being dominated by finance and antiquarians of modern art, with galleries losing their role as the "theater" of art. Caliandro questions whether a return to the pre-pandemic status quo is desirable, noting that the previous system was already unsustainable. He calls for a reimagining of what art can be, beyond rhetoric and consolation, and for alternative economies to replace extractive tourism monoculture. The article features Anna Capolupo's mixed-media painting "Battaglia" (2020).
Key facts
- Christian Caliandro wrote the article for Artribune.
- The article discusses the unsustainability of the art world in the post-pandemic Phase Two.
- Caliandro teaches art history at the Accademia di Belle Arti di Firenze.
- Gallerist Emilio Mazzoli is quoted via Marco Neri.
- Mazzoli criticizes the art market for being dominated by finance and antiquarians.
- Anna Capolupo's painting 'Battaglia' (2020) is featured.
- The article is part of a series called 'Fase Due'.
- Caliandro is a member of the scientific committee of Symbola Foundation.
Entities
Artists
- Christian Caliandro
- Anna Capolupo
- Emilio Mazzoli
- Marco Neri
Institutions
- Artribune
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane