Christian Caliandro on Improvisation, Risk, and Method in Art
In an essay on Artribune, Christian Caliandro reflects on improvisation as a rigorous artistic method, drawing parallels between jazz musicians like John Coltrane and Sonny Rollins and the creative process. He critiques contemporary art's tendency toward simulated risk and domesticated conflict, advocating for genuine risk-taking without expectation of reward. Caliandro quotes Pier Paolo Pasolini's "Teorema" to underscore the vulnerability and solitude of the artist. The piece also introduces the concept of "energia residua" (residual energy), where creative waste becomes material for new work. Caliandro, an art historian and professor at the Accademia di Belle Arti di Firenze, calls for inventing unrecognizable techniques to avoid comparison and judgment.
Key facts
- Christian Caliandro is a contemporary art historian and professor at Accademia di Belle Arti di Firenze.
- The essay discusses improvisation as requiring discipline and rigor.
- John Coltrane and Sonny Rollins are cited as examples of artists who embraced risk.
- Coltrane's albums Meditations, Expression, Sun Ship, Om, and Interstellar Space are mentioned.
- Caliandro quotes Pasolini's Teorema (1968) twice.
- The concept of 'energia residua' is introduced as creative waste becoming building material.
- Caliandro criticizes the current art scene for incompetence and irresponsibility.
- The article was published on Artribune in December 2016.
Entities
Artists
- Christian Caliandro
- John Coltrane
- Sonny Rollins
- Pier Paolo Pasolini
Institutions
- Artribune
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane
Locations
- Firenze
- Italy
- Williamsburg Bridge
- New York City
- United States