Christian Caliandro on Art's Survival Beyond Ego and Style
In a series of reflections published on Artribune in July 2021, art historian Christian Caliandro explores the survival of art beyond individual ego and style. Drawing on Keith Haring's diaries, Carla Lonzi's feminist writings, T.S. Eliot's poetry, and a quote from Orson Welles, Caliandro argues for a horizontal, collaborative practice that dissolves the artist's self into context. He critiques the performance-oriented, competitive mindset dominating contemporary culture and proposes an alternative based on self-annihilation, horizontality, co-authorship, and process over product. The text references a 2021 event at Ceramiche Tombelli in Montelupo Fiorentino, where Laura Cionci presented work, and mentions Nico's cart in Barletta. Caliandro teaches at the Accademia di Belle Arti di Firenze and serves on the scientific committee of Symbola Foundation.
Key facts
- Christian Caliandro is an art historian born in 1979.
- He teaches at the Accademia di Belle Arti di Firenze.
- He is a member of the scientific committee of Symbola Foundation.
- The article references Keith Haring's Diari (Mondadori 2001).
- It quotes Carla Lonzi from Taci, anzi parla (1978).
- A quote from T.S. Eliot's Burnt Norton is included.
- Orson Welles is quoted from the Saturday Evening Post (1962).
- Laura Cionci presented at Ceramiche Tombelli, Montelupo, on July 16, 2021.
- Photo credit: Benedetta Falteri.
- The article was published on Artribune in August 2021.
Entities
Artists
- Christian Caliandro
- Keith Haring
- Carla Lonzi
- T.S. Eliot
- Orson Welles
- Laura Cionci
- Benedetta Falteri
- Nico
Institutions
- Artribune
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane
- Mondadori
- Ceramiche Tombelli
- Garzanti
- Scritti di Rivolta Femminile
- Saturday Evening Post
Locations
- Montelupo Fiorentino
- Italy
- Barletta
- Bari