Christian Caliandro examines the social milieu of contemporary artists
Christian Caliandro, an art historian teaching at the Accademia di Belle Arti di Firenze and a member of the scientific committee of Symbola Fondazione per le Qualità italiane, analyzes the social environment in which today's artists operate. He argues that artists, even those not from privileged backgrounds, adopt the codes and values of the affluent class, resulting in a cultural production that rarely depicts working-class lives. Caliandro cites rare Italian films such as Paolo Virzì's 'Tutta la vita davanti' (2008), Daniele Luchetti's 'La nostra vita' (2010), and Daniele Vicari's 'Sole cuore amore' (2016) as exceptions. He also critiques Italian media for providing a distorted and incomplete portrayal of reality, which influences artists. Caliandro quotes gallerist Betty Parsons, who lamented the lack of powerful art despite turbulent times. The article was published on Artribune.
Key facts
- Christian Caliandro teaches art history at the Accademia di Belle Arti di Firenze.
- Caliandro is a member of the scientific committee of Symbola Fondazione per le Qualità italiane.
- He argues that contemporary artists adopt the codes and values of the affluent class.
- Rare Italian films depicting working-class lives include 'Tutta la vita davanti' (2008) by Paolo Virzì.
- Other examples are 'La nostra vita' (2010) by Daniele Luchetti and 'Sole cuore amore' (2016) by Daniele Vicari.
- Caliandro criticizes Italian media for distorting reality and excluding relevant issues.
- He quotes gallerist Betty Parsons on the lack of powerful art despite global crises.
- The article appears on Artribune.
Entities
Artists
- Christian Caliandro
- Betty Parsons
Institutions
- Accademia di Belle Arti di Firenze
- Symbola Fondazione per le Qualità italiane
- Artribune
Locations
- Italy