Chikako Yamashiro's 'Shapeshifter' exhibition at White Rainbow explores militarization and memory in Okinawa and Jeju
Chikako Yamashiro's exhibition titled 'Shapeshifter' was showcased at White Rainbow in London from 15 March to 28 April 2018. The exhibition delved into the effects of militarization and tourism on Okinawa, Japan, and Jeju, South Korea. Among the works displayed was 'Seaweed Woman' (2008), a video that simulates a dive in Henoko harbor, alongside three videos from 'Okinawa Tourist' (2004) that critique the superficial treatment of trauma. The highlight was 'Mud Man' (2017), which earned the 2017 Asian Art Award, portraying the harsh realities of wartime in both Jeju and Okinawa. Activist groups such as Save Jeju Now and Henoko Blue were acknowledged for their efforts in preserving local culture. The exhibition, noted in the Summer 2018 ArtReview Asia, highlighted Yamashiro's integration of body and landscape to address historical traumas while merging tourist aesthetics with profound commentary.
Key facts
- Exhibition 'Chikako Yamashiro: Shapeshifter' at White Rainbow, London from 15 March to 28 April 2018
- Features works including 'Seaweed Woman' (2008), 'Okinawa Tourist' (2004), and 'Mud Man' (2017)
- 'Mud Man' won the 2017 Asian Art Award and is set in Jeju, South Korea and Okinawa, Japan
- Themes address militarization, tourism, and historical trauma in Okinawa and Jeju
- Activist groups Save Jeju Now and Henoko Blue are mentioned for protesting naval bases
- Blue Seal ice cream, created by the U.S. military, appears in 'I like Okinawa Sweet'
- The film 'Mud Man' uses Japanese and Korean without subtitles
- Review published in Summer 2018 issue of ArtReview Asia
Entities
Artists
- Chikako Yamashiro
Institutions
- White Rainbow
- ArtReview Asia
- Save Jeju Now
- Henoko Blue
Locations
- London
- United Kingdom
- Okinawa
- Japan
- Jeju
- South Korea
- Gangjeong
- Henoko