Chicago's Art Scene Grapples with Care, Precarity and Motherhood in Post-Pandemic Landscape
At Soldier Field stadium, Kanye West held a listening event for his Donda album, featuring a replica of his childhood home as a tribute to his mother. The next day marked the release of Nia DaCosta's Candyman film, which delves into memory through the lens of female characters and is set in Cabrini-Green. These summer happenings coincided with the creation of the first Chicago Arts Census, revealing significant economic struggles and burnout among local artists. This census, developed by Chicago art workers, highlighted the urgent need for new support systems. Criticism arose against major institutions like The Art Institute of Chicago for pandemic-related layoffs. The article also discusses the racial and class divisions in Chicago's art scene, linking back to historical redlining. In 2015, West was awarded an honorary doctorate by the School of the Art Institute of Chicago.
Key facts
- Kanye West's Donda listening event featured a replica childhood home at Soldier Field
- Nia DaCosta's Candyman film released the next day, set in Cabrini-Green
- Chicago Arts Census revealed economic precarity and burnout among art workers
- Major museums laid off workers and resisted unionization during pandemic
- Community initiatives included in c/o: Black women and Public Media Institute
- Author participated in Architecture Biennial's 'Soil Safari' soil workshop
- Vacant lot used for workshop previously housed LGBTQIA+ care facilities
- Kanye West received honorary doctorate from School of the Art Institute of Chicago in 2015
Entities
Artists
- Kanye West
- Ye
- Nia DaCosta
- Annette LePique
- Jacqueline Rose
Institutions
- School of the Art Institute of Chicago
- The Art Institute of Chicago
- Museum of Contemporary Art
- Chicago Arts Census
- Public Media Institute
- in c/o: Black women
- Chicago Architecture Biennial
- The Guardian
Locations
- Chicago
- United States
- Soldier Field
- Cabrini-Green
- South Side
- West Side