Charlie Porter's 'Bring No Clothes' Examines Bloomsbury Group's Fashion as Political Statement
In 'Bring No Clothes: Bloomsbury and the Philosophy of Fashion,' fashion journalist Charlie Porter delves into how the Bloomsbury Group utilized attire to challenge Victorian conventions. Released by Particular Books for £20, the work highlights figures like Virginia Woolf and Vanessa Bell, who opted for loose-fitting clothing over restrictive corsets, symbolizing their quest for intellectual freedom. Porter investigates Woolf's concept of 'frock consciousness' from her 1928 work 'Orlando' and features archival images of bold fashion choices. Woolf remarked on the consequences of eccentricity in 'The Voyage Out' (1915), while Bell designed painter smocks. Porter connects Bloomsbury's fluidity in gender expression to modern fashion, sharing his own clothing trials and including Roger Fry's critique of Victorian patriarchy.
Key facts
- Charlie Porter's book 'Bring No Clothes: Bloomsbury and the Philosophy of Fashion' analyzes Bloomsbury Group fashion
- The book is published by Particular Books at £20 in hardcover
- Virginia Woolf developed the concept of 'frock consciousness' in her 1928 novel 'Orlando'
- Vanessa Bell created painter smocks and work dresses with safety pins and fabric flaps
- Bloomsbury members instructed houseguests like T.S. Eliot to 'bring no clothes' for visits
- Duncan Grant's painting attire influenced apron tops in a recent Dior men's show
- Roger Fry criticized Victorian patriarchy in his 1888 essay 'Shall We Wear Top Hats?'
- John Maynard Keynes wore tailored suits despite the group's fashion rebellion
Entities
Artists
- Charlie Porter
- Virginia Woolf
- Vanessa Bell
- John Maynard Keynes
- Lytton Strachey
- T.S. Eliot
- Duncan Grant
- E. M. Forster
- Roger Fry
- Leonard Woolf
Institutions
- Particular Books
- British Eugenics Society
- Dior
- ArtReview
Locations
- London
- United Kingdom
- Bloomsbury