Centennial Reflections on Oswald de Andrade and Brazilian Modernism
The centenary of the Semana de Arte Moderna of 1922 prompts a reexamination of Oswald de Andrade's legacy and his role within Brazilian modernism. Oswald de Andrade, a key figure, is contrasted with other members of the Grupo dos Cinco, including Anita Malfatti, Tarsila do Amaral, Mário de Andrade, and Menotti del Picchia. His concept of Antropofagia, or cultural cannibalism, is highlighted as a distinct approach that diverged from mainstream modernist thought. The article notes a sense of melancholy surrounding the centennial celebrations, partly due to Oswald de Andrade not being born in Rio de Janeiro, which is implied to have influenced his reception. References to cultural icons like Jeca Tatu and Nhô Nito are made, situating the discussion within broader Brazilian cultural history. The piece reflects on the enduring impact of these early 20th-century movements on contemporary art discourse in Brazil.
Key facts
- The centenary of the Semana de Arte Moderna of 1922 is being observed
- Oswald de Andrade was a central figure in Brazilian modernism
- The Grupo dos Cinco included Anita Malfatti, Tarsila do Amaral, Mário de Andrade, and Menotti del Picchia
- Antropofagia was a concept developed by Oswald de Andrade
- There is a melancholic tone noted in the centennial reflections
- Oswald de Andrade was not born in Rio de Janeiro
- Jeca Tatu and Nhô Nito are referenced as cultural figures
- The article discusses the contrast between Antropofagia and modernism
Entities
Artists
- Oswald de Andrade
- Anita Malfatti
- Tarsila do Amaral
- Mário de Andrade
- Menotti del Picchia
Locations
- Rio de Janeiro
- Brazil