Censorship on Social Media: From Michelangelo to Algorithmic Control
Fabrizio Federici, curator of the Mo(n)stre page, recounts how social media platforms, especially Facebook, increasingly censor art content. Recent removals include a Vanity Fair Italia cover featuring Mahmood and Blanco, combined with a Ravenna mosaic of Justinian, and a 15th-century miniature depicting self-castration, which was reported by anti-vaxxers. The algorithm imposes escalating penalties like posting bans and reduced distribution, with no human recourse. Federici compares this to Michelangelo's defiance of Pope Paul IV over the Sistine Chapel's nudity. He notes that museums like those in Vienna have migrated to OnlyFans, hoping protests will pressure platforms to respect art and creativity.
Key facts
- Fabrizio Federici runs the Mo(n)stre page on Facebook and Instagram.
- A Vanity Fair Italia cover with Mahmood and Blanco was removed for nudity.
- A 15th-century miniature of self-castration was removed after anti-vaxxers reported it.
- The algorithm imposes penalties like posting bans and reduced distribution.
- Michelangelo told Pope Paul IV to 'fix the world, not the paintings'.
- Viennese museums have opened profiles on OnlyFans to escape censorship.
- Federici hopes protests will lead to more respect for art on social media.
- The article was published in Grandi Mostre #28 on Artribune.
Entities
Artists
- Fabrizio Federici
- Michelangelo
- Mahmood
- Blanco
- Pope Paul IV
- Giorgio Vasari
Institutions
- Mo(n)stre
- Vanity Fair Italia
- Meta
- OnlyFans
- Artribune
- Grandi Mostre
Locations
- Ravenna
- Italy
- Vienna
- Austria