Cecilia Alemani on the Future of Art and the High Line
Cecilia Alemani, artistic director of the 59th Venice Biennale and chief curator of High Line Art in New York, discusses her curatorial approach, inspirations, and vision for the future. She emphasizes learning from each project, the importance of site-specificity, and the role of art in public spaces. Alemani cites literature, poetry, Surrealism, Land Art, and art and craft as influences but prioritizes discovering new ideas. She considers the High Line project, which attracts 8 million visitors annually, as her most defining work, highlighting its transformation of an abandoned railway into a public park with contemporary art, native gardens by Piet Oudolf, and architecture by Diller Scofidio + Renfro. For the future, she identifies social justice, climate change, and identity rights as key guiding ideas. Alemani advises young curators to visit exhibitions, study art history, read magazines, meet artists, and write critically. She notes a pandemic-driven turn toward introspection and the irrational in contemporary art, viewing it as a tool to reinterpret reality rather than escape it.
Key facts
- Cecilia Alemani is artistic director of the 59th Venice Biennale.
- She has been chief curator of High Line Art since 2011.
- High Line attracts about 8 million visitors per year.
- The High Line is a public park built on an abandoned railway in Chelsea, New York.
- She curated Art Basel Cities: Buenos Aires in 2018.
- She curated the Italian Pavilion at the 2017 Venice Biennale.
- Alemani cites social justice, climate change, and identity rights as future guiding ideas.
- She notes a pandemic-era trend toward introspection and the irrational in art.
Entities
Artists
- Cecilia Alemani
- Piet Oudolf
Institutions
- High Line Art
- 59th Venice Biennale
- Art Basel Cities: Buenos Aires
- Italian Pavilion
- Diller Scofidio + Renfro
- Artribune
Locations
- Milan
- New York City
- Venice
- Buenos Aires
- Chelsea
- Italy
- Argentina