Catherine Howe's 'Supreme Fiction' exhibition at Cross Contemporary Art explores gestural abstraction

Catherine Howe presented 'Supreme Fiction,' a solo exhibition of monotypes and Mylar paintings at Cross Contemporary Art in Saugerties, New York from July 3 to 26, 2015. The show featured works that blend baroque and rococo influences with contemporary materials like carborundum grit and polyester. Howe's gestural brushwork demonstrates a disciplined yet exuberant approach, drawing from nature while referencing art historical movements like Abstract Expressionism. One notable piece, 'Geisha' (2015), is a reverse-painted Mylar work depicting a sunflower with emotional intensity. Another work, 'Rise' (2015), uses yellow and red to create musical, cathartic effects. Howe participated in a discussion with fellow painter Suzanne Joelson at the gallery in late July, where they explored themes of gesture and authenticity. The artist's technical skill allows her to engage with historical precedents while maintaining contemporary relevance. Her work is informed by the actual landscapes and public gardens of upstate New York, where she resides.