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Carlos Ginzburg's 'What Is Art? Prostitution' Performance Analyzed by Marcela Iacub

exhibition · 2026-04-23

Carlos Ginzburg's performance 'What Is Art? Prostitution' Baudelaire has been staged four times over 36 years, with the latest iteration presented on October 2, 2010, during Nuit Blanche in Paris at 3e Rue Galerie. The work features a woman holding a placard with Baudelaire's quote "What is art? Prostitution." The first edition took place in 1974 at the ICC in Antwerp, where an actual prostitute held the sign and returned to the port at night. The second was in 2006 at the Slought Foundation in Philadelphia, with an actress nude behind the placard. The third occurred in July 2010 at the Fondo Nacional de las Artes in Buenos Aires, with a model. For the Paris edition, the gallerist herself played the prostitute behind a window evoking Amsterdam's red-light district, and the performance was free and open to the public, funded by the City of Paris, with simultaneous projections in Brussels and New York at White Box. Legal scholar Marcela Iacub, a CNRS research director, wrote an essay for the occasion, exploring the equivalence between art and prostitution as articulated by Baudelaire. Iacub argues that the performance transforms viewers into a public, akin to clients of prostitutes, and that the pleasure derived from art is collective and anonymous, not individual. The work challenges the notion of private enjoyment, positing that both art and prostitution offer a jouissance of the multitude.

Key facts

  • Performance titled 'What Is Art? Prostitution' Baudelaire by Carlos Ginzburg.
  • First staged in 1974 at ICC, Antwerp, with a real prostitute.
  • Second edition in 2006 at Slought Foundation, Philadelphia, with an actress.
  • Third edition in July 2010 at Fondo Nacional de las Artes, Buenos Aires.
  • Fourth edition on October 2, 2010, during Nuit Blanche, Paris, at 3e Rue Galerie.
  • Paris edition featured the gallerist as the prostitute behind a window.
  • Performance was free, funded by City of Paris, and projected in Brussels and New York.
  • Marcela Iacub, jurist and CNRS research director, wrote an accompanying essay.
  • Iacub's essay explores Baudelaire's equation of art with prostitution.
  • The work aims to transform viewers into a public, experiencing collective jouissance.

Entities

Artists

  • Carlos Ginzburg
  • Marcela Iacub

Institutions

  • ICC
  • Slought Foundation
  • Fondo Nacional de las Artes
  • 3e Rue Galerie
  • White Box
  • CNRS

Locations

  • Antwerp
  • Belgium
  • Philadelphia
  • United States
  • Buenos Aires
  • Argentina
  • Paris
  • France
  • Amsterdam
  • Netherlands
  • Brussels
  • New York

Sources