Carla Arocha and Stéphane Schraenen's 'Persiana' Exhibition Explores Perception Through Sculpture and Installation
In March 2014, Carla Arocha and Stéphane Schraenen unveiled their exhibition titled 'Persiana,' highlighting a decade of collaboration that delves into the misleading aspects of perception. Notable pieces included 'Mechelen Marauder' (2014), a reflective cylinder, and 'Persiana I' (2007), which featured opaque rectangles inspired by Venetian blinds. Furniture-inspired works such as 'Credenza,' 'Cabinet,' and 'Bedside Table' (all from 2013) incorporated peepholes. 'Carpet' (2014) resembled a warped photograph, while 'Frieze II' (2014) examined color perception through fluorescent paint. The exhibition also showcased window-related works like 'Curtain' (2008) and 'Chris Box' (2008). 'Three Lies' presented crystal spheres, and 'Rooms II' (2010) evoked ancient ruins, transforming the space into a prism of complex realities that challenged visual perceptions.
Key facts
- Exhibition 'Persiana' featured works from Carla Arocha and Stéphane Schraenen's decade-long collaboration
- Show was presented in March 2014
- Works explored perception, deception, and visual ambiguity
- Featured pieces included 'Mechelen Marauder' (2014), a mirrored cylinder with S-shaped hooks
- Furniture-like sculptures 'Credenza', 'Cabinet', and 'Bedside Table' (2013) used wood reminiscent of Eames designs
- 'Carpet' (2014) reproduced a photograph of a carpet from a distorted angle
- Color perception was examined through 'Frieze II' (2014) and 'Breath' (2013)
- Window-themed works included 'Curtain' (2008) and 'In Paradise Series: Window' (2008)
Entities
Artists
- Carla Arocha
- Stéphane Schraenen
- Charles Eames
- Ray Eames
Institutions
- ArtReview