Canova and Thorvaldsen Face Off in Two Milan Exhibitions

Two concurrent exhibitions in Milan offer an in-depth look at Antonio Canova (1757–1822) and Bertel Thorvaldsen (1770–1844), the leading sculptors of Neoclassicism. At Gallerie d'Italia, the show "Canova e Thorvaldsen: La nascita della scultura moderna" presents 160 works across 17 sections, directly comparing the two masters. The centerpiece is the unprecedented pairing of Canova's "Three Graces" (Hermitage) with Thorvaldsen's "Graces with Cupid." The exhibition highlights their stylistic differences—Canova's sensual, soft forms versus Thorvaldsen's pure, composed geometry—while avoiding easy polarizations. Context is provided through works by other artists, and thematic sections explore their Roman studios, shared subjects (Cupid and Psyche, Ganymede, Hebe, Napoleon), their celebrity portraits, and popular reproductions. Romanticism's influence is also examined. Meanwhile, at the Galleria d'Arte Moderna (GAM), a focused show titled "Canova: Teste Ideali" explores the artist's idealized heads—a search for universal, perfect facial types that balance abstraction with emotional impact. This exhibition includes comparisons with works by Franz Xaver Messerschmidt, Adolfo Wildt, and Giulio Paolini. Both shows run concurrently in Milan, offering a comprehensive reassessment of Canova's legacy.