Calvin Tomkins' Duchamp Interviews: A Must-Read Book
A new edition of Calvin Tomkins' interviews with Marcel Duchamp, originally published in 2013, offers direct insight into the artist's thoughts. The conversations, held in the mid-1960s, reveal Duchamp's disdain for the art market and his critique of young American artists' lack of slowness. He discusses his relationships with Cubists, Dadaists, and Surrealists, and his interest in Pop Art, particularly Warhol and Rauschenberg. Duchamp reflects on his major work 'The Bride Stripped Bare by Her Bachelors, Even' (The Large Glass), created between 1915 and 1923, and his concept of the readymade as a rejection of rational control. He also mentions John Cage's use of chance in music, linking it to his own 1913 musical score 'Erratum Musical'. The book includes a postface by Marco Senaldi and is published by Postmedia Books in Milan.
Key facts
- Book: 'Marcel Duchamp. Le interviste pomeridiane' by Calvin Tomkins
- Published by Postmedia Books, Milan, 2020
- Interviews conducted in the mid-1960s
- Duchamp criticized the fast pace of young American artists in the 1960s
- The Large Glass was created from 1915 to 1923, two hours per day
- Duchamp expressed interest in Pop Art, especially Warhol and Rauschenberg
- He linked John Cage's chance music to his own 1913 score 'Erratum Musical'
- Duchamp considered himself a 'pseudo-artist' and a 'Satrap' among pataphysicians
Entities
Artists
- Marcel Duchamp
- Calvin Tomkins
- Marco Senaldi
- Andy Warhol
- Robert Rauschenberg
- John Cage
Institutions
- Postmedia Books
- Artribune
Locations
- Milan
- Italy