Buggers at Pleasance Courtyard: A Visceral Portrait of Francis Bacon and George Dyer

Alistair Hall's play 'Buggers' presents a compelling exploration of the tumultuous bond between artist Francis Bacon and his lover-muse George Dyer. Running at Pleasance Courtyard in Edinburgh until 30 August, this two-character piece draws from letters and documents from the Francis Bacon estate, emphasizing physicality infused with erotic tension and latent violence. Hall embodies Bacon, while Peter Clements convincingly depicts Dyer, showcasing his initial bravado and subsequent struggle with alcoholism. The narrative opens in 1963 with a silent scene illustrating their first encounter, blending elements of a wrestling match and intimacy, choreographed by Ken Nakajima. Directed by Alice Wordsworth, the production follows their journey to Dyer's death in a Paris hotel in 1971, delving into themes of eroticism and cruelty. Rosie Elnile's set evokes a mix of a Bohemian apartment and a wet-room. The fragmented structure, filled with hallucinations and memories, captivates audiences, culminating in a poignant reading of Bacon's paintings of Dyer, evoking deep sadness. The review lauds the exceptional writing and performances, deeming it a perfect festival highlight.