ARTFEED — Contemporary Art Intelligence

Bruce Asbestos on Digital Art, NFTs, and Institutional Shifts Post-Pandemic

publication · 2026-04-20

In an interview with Aaron Juneau, Nottingham-based artist Bruce Asbestos, who has lived there for 20 years, reflected on his artistic journey and the effects of the pandemic on digital art. On 3 March 2010, he changed his name as a form of performance art. His diverse portfolio features a TV channel, fashion shows, paintings, inflatable sculptures, and NFTs. Asbestos utilizes Blender for quick prototyping and mentioned that a scholarship to Japan in 2004 significantly influenced his work. He observed that Japan's pop culture has increasingly embraced Western influences. The pandemic has reshaped institutions, leading to the formation of digital teams and regional acquisitions, which enabled him to include his first digital artwork in a prominent collection. He is set to exhibit at Plymouth Contemporary 2021 from 7 July to 5 September. This interview appeared on ArtReview's Remark platform.

Key facts

  • Bruce Asbestos changed his name legally on 3 March 2010.
  • He has lived and worked in Nottingham for 20 years.
  • His artworks include NFTs, inflatables, fashion shows, and a TV channel.
  • Asbestos used a 2004 scholarship to Japan to study Takashi Murakami's influence.
  • He employs Blender software for 3D rendering and idea prototyping.
  • The pandemic led institutions to acquire digital art through regional networks.
  • Asbestos will participate in Plymouth Contemporary 2021 from 7 July to 5 September.
  • The interview was published on ArtReview's Remark platform in collaboration with BACKLIT.

Entities

Artists

  • Bruce Asbestos
  • Aaron Juneau
  • Takashi Murakami
  • Christo
  • Jeanne-Claude

Institutions

  • ArtReview
  • BACKLIT
  • Plymouth Contemporary

Locations

  • Nottingham
  • Japan
  • East Midlands
  • Plymouth

Sources