Bruce Altshuler's 'Biennials and Beyond' Examines 25 Landmark Exhibitions from 1962 to 2002
Bruce Altshuler's book 'Biennials and Beyond' concludes his trilogy on pivotal twentieth-century exhibitions, covering 1962 to 2002. It analyzes 25 shows that reshaped art perception and practice, including Dylaby at the Stedelijk Museum in 1962 and Documenta 11 in 2002. Each case study features an introduction, archival photos, and reprinted texts from catalogues and reviews, allowing historical voices to dominate. Altshuler's style remains concise, building on the acclaim of his earlier works 'The Avant-Garde in Exhibition' (1994) and 'Salon to Biennial' (2008). The selection reflects his personal taste, with examples like Freeze in London (1988) and the Whitney Biennial of 1993. Critics note the book's unclear audience, being too brief for specialists yet bulky for students. However, it showcases curatorial innovation and conceptual energy, offering inspiration for a stagnant exhibition landscape. A potential paperback release could cement its status as a classic.
Key facts
- Bruce Altshuler authored 'Biennials and Beyond' as the final book in his trilogy on significant exhibitions
- The book spans the years 1962 to 2002
- It examines 25 exhibitions that influenced art perception and practice
- Included exhibitions are Dylaby at the Stedelijk Museum in 1962 and Documenta 11 in 2002
- Documenta 11 was curated by Okwui Enwezor with a team of co-curators
- Other featured shows include Freeze in London (1988) and the Whitney Biennial of 1993
- Each case study has a one-page introduction, archival photographs, and reprinted texts
- Altshuler's previous books are 'The Avant-Garde in Exhibition' (1994) and 'Salon to Biennial' (2008)
Entities
Artists
- Bruce Altshuler
- Robert Rauschenberg
- Niki de Saint Phalle
- Okwui Enwezor
Institutions
- Stedelijk Museum
- Documenta
- Whitney Biennial
Locations
- London
- United Kingdom
- New York
- United States