Brooklyn Artists Explore Surface, Scent, and Global Oppression in New Exhibitions
At Studio 10, new paintings incorporate vinyl supermarket banners. A Brooklyn-based artist engages with oppressed communities worldwide. Recent violent events have prompted artists to create works expressing both passion and compassion. A perfumer and sculptor presents new pieces that make absent bodies perceptible through scent, sight, and touch. Another artist's embroidered fragments function simultaneously as drawing, sculpture, and collage. Lee's panels merge aesthetic and biographical heritage while revealing their own process and materials. An exhibition features Bee's photograms, unseen for over three decades. Sculptures and paintings exuding beastly sexual energy are on display. Galloway demonstrates head-hand coordination in a show. Two recent Brooklyn exhibitions investigate surface as substance.
Key facts
- New paintings at Studio 10 use vinyl supermarket banners.
- A Brooklyn artist interacts with oppressed people globally.
- Artists respond to visible acts of violence with passionate and compassionate works.
- A perfumer and sculptor creates work engaging scent, sight, and touch to sense absent bodies.
- An artist's embroidered fragments operate as drawing, sculpture, and collage.
- Lee's panels combine aesthetic and biographical heritage and show their creation process.
- An exhibition shows Bee's photograms not seen in over 30 years.
- Two Brooklyn shows explore surface as substance.
Entities
Artists
- Lee
- Bee
- Galloway
Institutions
- Studio 10
- artcritical
Locations
- Brooklyn
- United States